Audition: Made for Video {part three}
Jun 06
In Part Three – the final segment of Audition: Made for Video we take an in-depth, step-by-step look at the process of integrating Adobe Audition and Premiere Pro and what the pitfalls are in the current release.
Additionally, we ask the questions that need to be asked, and I provide insight as to why the issues and limitations of Audition CS5.5 exist from a technical.
To read the article and watch the video tutorials, visit the ProVideo Coalition website »
Audition: Made for Video {part two}
Jun 06In Part Two of Audition: Made for Video we take a look at some of the features in Adobe Audition that we use on a regular basis when producing motion+connect. I cover the Amplitude Statistics panel, Noise Reduction and Restoration features, Spectral Editing, Volume Matching and the Effects Rack.
As a bonus, I also demonstrate how you can integrate Apple Logic, bringing your MIDI sequences into Adobe Audition for final mastering.
Finally, we take a look at how you can use Audition’s History panel as a way to explore rack effects and other features of Audition – creating your own audio ‘playground’.
To read the article and watch the video tutorials, visit the ProVideo Coalition website »
The Ultimate Production Premium CS
Jun 02
Working smarter, faster, and more efficiently is critical – when time is of the essence. For me, the silver bullet centers around a customized Adobe Production Premium workflow. Much of my custom workflow centers around Adobe Dynamic Link.
Audition: Made for Video {part one}
May 31I recently wrote an article for ProVideo Coalition where I demonstrate how creating a workflow can save you time and money. What I’ve shared, is the workflow I use when creating episodes of motion+connect. I show how to bring single clips, multiple clips, and complete sequences from Premiere Pro to Adobe Audition – with and without video. We take a look at the roundtrip process of taking audio back into Premiere, and then, the ease of going back and forth between the two applications to make changes, sweeten the audio or master the final audio.
To read the article and watch the video tutorials, visit the ProVideo Coalition website »
The Age Old Debate: Final Cut Pro or Adobe Premiere Pro
Jan 29
I have been a long time Final Cut Pro user starting with Version 1. About a year ago, I made the decision to switch to Adobe Premiere Pro. For many years, video editors have debated the age-old question: which editing software is best. Is one program really better than the other? The answer? There is no answer. What’s right for one person or workflow, may not work for another. What I can share is what I’ve discovered from my experience.
NVIDIA Quadro 4000: Great News for Mac Premiere Pro Users
Nov 16Great news for Premiere Pro Mac users! NVIDIA just announced the Quadro 4000 – it’s latest addition to its award-winning line of NVIDIA Quadro professional graphics cards. This new card officially brings the insanely fast computational power of the NVIDIA Fermi architecture to Mac Pro users.